Tanya Shumsky: March 2010

Wednesday

Final Model Submission

Final Model.



Front And Back Views Of The Model Un-split.
The Final Model Looking From Front.
This Photo Is Showing The Model Split From Front View.

This Is A Photo Of The Model From A Top Over View.




This Is Showing The Model Split From A Top View.




This Showing The Other Side Of The Split Model.



The Model Split Into One Half Photo Taken On An Angle.



Back Villas And Courtyards.



The views of the middle villas and the courtyard.



View into middle courtyard.

Back View Of Model.

work

MY FINAL WORK

All Drawings To Scale 1:200

(All Drawings Are To Scale But Have Been Taken Photos Of To Publish Into Blog)


My final Parti:
With this parti I tried to influence the central area of the design were everything comes together, in this design Geoffrey Bawa brought the outside spaces to live co-existing with the essential enclosures that are there purely to service the human needs to sleep, eat etc.
I have chosen to depict the lightness of the central area, the glowing of the area that I have referred to as the heart, so that word and feeling brings in the lightness, the feeling of safety and that feeling you get when you are at home, so in contrast to the other elements I have shown the darkness that is overshadowed from the central area.



Poche:
Done To Scale 1:100

(Photo Of The Drawing Above So Its Not To Scale)
In my Poche above I tried to express the openess of the design by leaving the courtyards unshaded in comparison to the living areas. The house was designed for particular client although it also corresponds to the location and the type of lifestyle, being Sri Lank that region of the world normally have light weight houses, and they co-exist with the courtyard element in this design, so my poche depicts the darkness in the living spaces because they are enclosed with walls that have very small openings if any, so most of the natural lighting comes in from the open courtyards.
I have tried to depict a big contrast of light in the open courtyard spaces to the enclosed living spaces.


Close-up of drawing bellow.



Circulation:

This house is built in context with the site, it is evenly balanced with a flow, that consists of structure, then a courtyard. This is carried out through the whole site and therefore the circulation coincides within design.
There are 2 main routes that have been made evident and they are on the ground floor level; the 1st being centrally located throughout the whole design it starts at the entry point and leads you down through the first courtyard and takes you through the first villa which is made up of the public spaces, this then carries you through to the 2nd courtyard, this is were the centre or the heart of the overall design is, this route then connects to the next villa which is made up of the more private spaces and it also has another floor above, then this main route takes you to the last courtyard which is the more private courtyard.

The circulation in the 2nd villa then separates and the interconnection to the other rooms is made evident down one main corridor/pathway.

The 2nd main circulation is located down a side pathway, which is a more direct pathway, that is distinctly there for the purpose of coming and going without having to enter into any of the spaces directly. This pathway is lined with a wall thus closing out any direct view.

My drawings show the direct circulation and the other interconnecting circulation that is directly used in the villas.






Structure:

The Structural elements of the design are primarily made up of a number of columns and light weight walls. The main villa that is made up of the more private spaces has a second floor level and that is supported by load bearing walls that I have indicated with the thicknesses and heaviness in my drawing above.








Programs:
The programs consist of three main areas;

Corridors (being the bottom Drawing) - this is established to separate areas that are more private to those that are more public, and also as an access to get to those areas.

Courtyards (being the middle drawing) - they separate each elements of the design, they also connect spaces the public and private and thus create communal areas, the main courtyard in the centre of the design is essentially the heart or centre of the overall design.

Matrix (being the top drawing) - to create a free flow the matrix is primarily for the family areas such as kitchen, living areas, I concentrated on how the rooms interconnect with each other.




Geometry:

The design is made up of a number of squares and rectangles which span over the rectangular site. The relationship between each coincide into one another, by the design which in overall allow each to co-exists; side by side and flow into one another very freely.

Early Model Work

My Early Drawings.

Parti.
All drawings done to scale 1:200
(Photo taken bellow so they are not to scale).



Circulation: This is showing the 2 direct routes I've indicated, the central route and the side route.




Circulation: the circulation in this house can be seen in my drawings above, the villas are built in segments 3 in total, each spaced out with courtyards in between. The house has an easy flow and that was intended. From the entry point you are able to look down the centre of the property, this is the main circulation you follow this down through the courtyard
to villa and then to the heart of the design, the middle courtyard, which allows you to follow into the next villa to finally finish at the last courtyard the most private of all. The way in which the purpose of the villas and the spaces are placed have been done in a very strategic way, the fist villa is made up of all the public spaces and everything is located off one another. The next courtyard is the main courtyard linking villa 2 to villa 3. Villa 3 is made up of all the private spaces and has another floor above, the access into each space is done with ease.
Looking into circulation routes the central circulation is the main one, and then there is a side pathway, that is of direct access to and from the villas, it is done in a way that allows no direct flow into the courtyards, and seems to show that it was built to basically to get in and to get out.

Structure: this is an early study Ive made of the structural elements of the house. The house is primarily made up of columns, majority of light weight walls, and a few load bearing walls. The house is separated into 3 villas spaced out evenly over a flat site, and has wide open courtyards in between each of the living spaces. The foundations reflect upon the lifestyle, and the usage or the purpose in which the client has in mind.
Programs: Courtyard.

Early Model Work.

Scale at a 1:100 Scale
(Photos not to scale)


Top Overview - Plan View.




The 2 main back villas can be seen in this photo.




Top view looking down on the the detail that has been done on the two back main villas, this photo shows the model in half.






Another view of the the model halved.








Top view/Plan View of model halved.

Thursday

Research

Research Photos And Background.


Front Entrance.



The View Towards The Main Office.



The Main Office Pavillion Towards Office.


Garden Side Of Mid-Courtyard.


Pathway to Mid Courtyard.

Pool Courtyard.


Photo of middle courtyard inbuilt lounging area.





Villa Assigned: Geoffrey Bawa's - House For Dr Bartholomeusz (1961-63)

Architect: Geoffrey Bawa
Location:
Colombo; Sri Lanka
Date: 1961 - 1963
Building Type: Originally Assigned To Be A Residential Building,
Finished Off To Be
Background Reaserch:



The Sri Lankan Architect Geoffrey Bawa is now regarded as having been one of the most important and influential Asian architects of the twentieth century. His international standing was finally confirmed in 2001 when he received the special chairman’s award in the eighth cycle of the Aga Khan Award for Architecture, becoming only the third architect and the first non-Moslem to be so honoured since the award’s inception.Bawa’s work is characterised by a sensitivity to site and context. He produced “sustainable architecture” long before the term was coined, and had developed his own “regional modernist” stance well in advance of the theoreticians. His designs broke down the barriers between inside and outside, between interior design and landscape architecture and reduced buildings to a series of scenographically conceived spaces separated by courtyards and gardens.One of his most striking achievements is his own garden at Lunuganga which he fashioned from an abandoned rubber estate. This project occupied him for fifty years, and he used it as a test bed for his emerging ideas. The result is a series of outdoor rooms conceived with an exquisite sense of theatre as a civilised wilderness on a quiet backwater in the greater garden of Sri Lanka.Source: http://www.geoffreybawa.com/life/Introduction.html